Next on Young and the Restless: Cane Burnt Victor to Ashes
Genoa City is about to discover a terrifying truth: the most dangerous weapon isn’t the one you can see coming—it’s the one you think you already control.
The Monday, January 12 episode of The Young and the Restless is shaping up to be a genuine game-changer, with high-stakes negotiations, personal collapse, and a technological catastrophe that could leave Newman Enterprises reeling for months. On the surface, the hour looks like a classic showdown between two titans—Victor Newman and Jack Abbott—each convinced he can outplay the other with sheer experience and instinct. But beneath the boardroom swagger and ranch-floor bravado, a third force is quietly steering the entire crisis toward disaster.
And that force is Cane Ashby—with Phyllis Summers at his side, smiling like she’s been waiting for this exact moment.
Jack’s “Trade of a Lifetime” Becomes a Trap
It begins at the Newman Ranch, where tension is already so thick it feels combustible. Jack arrives not to gloat, not to provoke, but to negotiate—because for once, he’s holding something Victor actually wants.
Matt Clark.
With Matt secured in Jack’s custody, Jack makes a bold offer: he’ll surrender the villain in exchange for one thing only—the complete destruction of the AI program that has become the most volatile piece of leverage in Genoa City. Jack isn’t framing this as a moral crusade. He’s framing it as survival.
His motivations are clear and deeply personal: protect the Abbott legacy, shield Jabot, and stop an escalating tech arms race before it turns into a permanent state of war. Jack knows that once a tool like this exists, it won’t stay contained. It will be used. It will be weaponised. And the collateral damage will be families, reputations, and businesses that can’t afford to become targets.
Adding fuel to Jack’s urgency is the rising paranoia around the software’s potential misuse—especially after Adam’s concerns that the Abbotts might try to wield it against the Newmans. Whether that suspicion is fair or not almost doesn’t matter anymore. In Genoa City, belief becomes reality fast. And Jack knows perception alone can get people hurt.
So he offers Victor something unprecedented: a gesture that looks like peace. Destroy the program together. Make it public. Make it final. Ensure no one can ever use it again.
For a moment, it seems like Victor might actually consider it.

Victor’s Stubbornness Meets Family Pressure—and Then Everything Breaks
Victor Newman doesn’t surrender power. He collects it. He guards it. He turns it into identity. That’s why the idea of deleting the AI—voluntarily—hits him like a threat to his own mythology.
But this isn’t just Jack pushing him. The pressure is coming from inside Victor’s own house. Nick and Nikki are no longer willing to accept Victor’s pride as a substitute for safety. Nikki, especially, has had enough of watching Victor treat risk like a sport while the people around him pay the consequences. She pushes him to stop being difficult and take the deal—because this time, the danger is not theoretical.
Jack’s offer sits on the table like a loaded gun. Victor’s pride wars with his instincts. And for a fraction of a second, it seems like pragmatism might win.
Then the situation turns—hard.
Because Victor and Jack are negotiating as if the AI is a weapon they can choose to destroy. What they don’t realise is that the program may already be out of their hands.
Cane’s Secret: The AI Was Never Just a Tool—It Was a Trojan Horse
This is where Cane’s shadow moves across the story, and the episode’s title begins to feel less like hype and more like prophecy.
Cane has uncovered a dark secret about the AI: it contains a built-in trigger, a failsafe designed not to protect its owner—but to turn on them. The program isn’t just powerful. It’s rigged. A digital Trojan horse disguised as a fortress.
And Cane isn’t trying to stop it.
In fact, he’s ready to unleash it.
In a secret alliance with Phyllis, Cane has decided to embrace the darker edge of himself—the “Aristotle Dumas” side: calculating, vengeful, and fully willing to let the city burn if it means rewriting the power map in his favour. Phyllis, still seething over the belief that the AI was stolen from her grasp, doesn’t just support this move—she’s thrilled by it.
The most chilling part is how clean the plan is. Cane doesn’t even need to steal the program back to win. He only needs Victor to do what Victor always does: touch the shiny new weapon, assume it belongs to him, and try to command it.
If the trigger is already active, Victor’s attempt to “manage” the AI could become the very action that detonates it—inside Newman Enterprises.
Newman Enterprises in Freefall: Victor’s Worst Nightmare Goes Live
If the AI begins tearing through Newman Enterprises’ systems, the fallout won’t be limited to a single department or a single scandal. This would be the kind of collapse that spreads fast: reputations ruined in hours, financial damage multiplying by the minute, trust evaporating across the board.
Worse, it would be public.
Victor’s empire is built not only on money, but on the perception of control. A digital catastrophe signals weakness—invites predators—and Genoa City has no shortage of people waiting for their turn to strike.
And if Cane is ready to “greenlight” the mayhem, he isn’t just attacking Victor’s business. He’s attacking Victor’s identity. That’s the kind of humiliation Victor doesn’t forgive.
It’s the kind he punishes.
Jack and Diane Realise the War Isn’t Over—It’s Just Evolved
The shockwave doesn’t stop at the ranch. It follows Jack home to the Abbott mansion, where he has to deliver a piece of news he never expected to say out loud: the AI threat wasn’t neutralised. It was redirected.
When Jack updates Diane, the reality hits them both at the same time—if Phyllis and Cane are playing this dirty, the Abbotts may not be safe just because Jack tried to end the conflict. If anything, Jack’s move could make him a bigger target. Because in Genoa City, the person who tries to shut the game down is often the person both sides decide to punish.
Jack and Diane’s fear grows sharper with one terrifying possibility: Cane may have reverted to an older, more dangerous ambition—taking control of every major business in town. Not as a businessman, but as a conqueror.
A Different Kind of Emergency at the Hospital: Nick’s Pain, Sharon’s Exhaustion
While empires burn digitally, bodies break physically.
At the hospital, Nick Newman remains in a fragile state following surgery. There’s a cruel emotional whiplash in the way his recovery plays out. He wakes groggy, disoriented, even drifting through confusing dreams. But the episode makes it clear: the reality is far bleaker.
Nick suddenly startles awake in excruciating pain—so intense it’s visible. He grips his leg. He grimaces. He looks like a man being dragged back under by a body that refuses to heal quietly. Sharon, faithful and terrified, rushes to get the medical team—yet again.
And Sharon’s exhaustion is no longer subtle. She has voiced a deep longing for one simple thing: a break from loving people who are always in danger. In Genoa City, love isn’t just emotional labour—it’s crisis management. Sharon is living in a constant state of “what now,” and Nick’s sudden pain feels like proof that safety is never more than a temporary illusion.
Holden, Audra, and Claire: A Kiss Built on Suspicion
Meanwhile, at Crimson Lights, the personal chess games continue.
Holden and Audra remain locked in a complicated dance—one part chemistry, one part distrust. Holden has already called Audra out for using flirtation as a tool, but their dynamic is shifting into a wary détente: friends, allies, maybe something more—if neither of them blinks first.
That uneasy civility doesn’t sit well with Claire, who is deeply sceptical of Audra’s motivations. Claire suspects something transactional happened behind the scenes: a secret deal to bury the LA story in exchange for Audra backing off. When she presses Holden, he doesn’t fully reassure her—he redirects.
And that redirection leads to a romantic moment: Holden convinces Claire to share a kiss. It’s tender on the surface, but the context makes it volatile. In Genoa City, kisses don’t always mean trust. Sometimes they mean distraction. Sometimes they mean strategy.
And sometimes they mean the real war is happening somewhere you’re not looking.
The Bottom Line: Genoa City’s Landscape Is About to Change
By the end of Monday’s episode, the alliance between Phyllis and Cane is poised to reshape the city’s power structure. The AI program isn’t just a weapon—it’s a trap, and Victor may be stepping straight into it with the confidence of a man who has survived everything… right up until the moment he doesn’t.
If this plays the way it’s being set up, it won’t just be “Victor vs Jack” anymore. It will be Victor vs a new kind of enemy: one who doesn’t need to beat him in the open, because they’re already inside the walls.
And if Cane truly is ready to burn Victor to ashes, the question isn’t whether Victor will retaliate.
It’s whether Genoa City will survive the retaliation when he does.