THE WAR ENDS – Jack hands him over to Victor Matt, making him a prisoner The Young And The Restless
In the volatile universe of The Young and the Restless, wars rarely end with handshakes. They end with sacrifices, secrets, and moral lines quietly erased. That reality comes crashing down as Jack Abbott stands on the brink of the most consequential decision of his life — a decision that could finally halt his decades-long war with Victor Newman, or ignite a darker conflict that neither family will survive unchanged.
Jack’s shocking move to hand Matt Clark over to Victor is not an act of surrender, nor is it reconciliation. It is a calculated gamble born from desperation, pressure, and the dawning realization that the rules of engagement in Genoa City have fundamentally changed. This is no longer about bruised egos or corporate one-upmanship. This is about survival in an era where power is no longer wielded solely through boardrooms and balance sheets, but through algorithms, secrets, and human leverage.
For years, the Abbott–Newman feud followed a familiar rhythm: strike, retreat, regroup, and strike again. Temporary truces offered illusions of peace, but the rivalry always resurfaced. This time, however, the stakes are different. The shadow of Matt Clark looms over everything — a living embodiment of how easily criminality, corporate power, and personal vendettas can intertwine. Add to that the weaponization of Cain Ashby’s artificial intelligence program, and the sudden vulnerability of Jabot, and the conflict escalates from personal to existential.
Jack knows that simply outlasting Victor is no longer an option. Victor isn’t attacking through conventional means. He is hunting the Abbotts through data, prediction, and manipulation, using AI to anticipate moves before they are made. Jack’s controversial decision to shut down Jabot — intended as a temporary shield — has instead become a symbol of weakness. Shareholders panic, the media circles like sharks, and every day the company remains stalled, the perception of defeat hardens. In Genoa City, perception is often more lethal than reality.
At the heart of this crisis stands Kyle Abbott, caught between loyalty to his father and a growing belief that restraint is no longer enough. Kyle understands exactly how dangerous Matt Clark is — not as an abstract threat, but as a man whose past is deeply entangled with the Newman orbit. That knowledge places Kyle in a position of terrifying influence. He is no longer just Jack’s son or the future of the Abbott name. He is a potential kingmaker.
Kyle’s instinct is to control chaos rather than flee from it. He believes that if Matt is captured and handed over, Victor will be forced to stand down. But this strategy comes at a devastating cost. Every step Kyle takes pushes him further into the morally gray territory that Jack once vowed the Abbotts would never occupy. In trying to protect his family, Kyle risks becoming the very thing the Abbotts have spent decades condemning — a mirror image of Victor Newman himself.

The internal divisions within the Abbott camp deepen as the plan takes shape. Some see Matt as the ultimate pressure point — the one piece powerful enough to make Victor blink. Others fear that invoking Matt will drag the Abbotts into criminal territory from which there is no return. Once a family crosses that line, it never truly steps back. Secrets rot. Leverage corrodes. And control becomes an illusion.
Adding fuel to the fire is Phyllis Summers, who has never been shy about advocating for aggressive solutions. Phyllis believes hesitation is what allowed Victor to seize the upper hand. In her view, the AI program should be reclaimed, flipped, and used against him. Act first, control the narrative, deal with the fallout later — it’s a philosophy disturbingly similar to Victor’s own. Jack resists not because he doubts Phyllis’s intelligence, but because he fears an arms race with no exit, one that would destroy everything he is trying to preserve.
Instead, Jack places his faith in Nikki Newman, hoping her emotional influence can temper Victor’s obsession. It’s a familiar gamble — and possibly a fatal one. Nikki’s power over Victor has always been emotional, not strategic. And emotion is no match for a man who can compartmentalize love and vengeance with surgical precision. If Victor senses that Jack is trying to manipulate him through sentiment, the backlash could be merciless.
Handing Matt over to Victor signals something far more dangerous than a ceasefire. It signals that Jack is willing to engage Victor on Victor’s terms. It redraws the boundaries of acceptable warfare in Genoa City. This isn’t peace built on trust. It’s peace built on mutual destruction — the understanding that if one side falls, the other won’t survive the fallout.
Yet the greatest risk lies with Matt Clark himself. Men like Matt are not tools. They are accelerants. Believing he can be controlled, contained, and discarded once he has served his purpose is a catastrophic miscalculation. History shows that figures like Matt never disappear quietly. They leave wreckage behind — often in places no one anticipated and at the worst possible moment.
The consequences ripple outward, pulling others into the storm. Sienna Beall may ultimately be forced into a zero-sum choice where survival demands decisive action. Noah Newman could emerge as an unlikely counterbalance — a Newman shaped more by empathy than conquest — or become another piece sacrificed to Victor’s larger agenda. Each new variable increases the volatility, not the control.
Jack understands, at least intellectually, that Victor Newman cannot be trusted. Any deal Victor accepts will be transactional, not transformative. He will comply only until the balance of power shifts — and then he will strike harder than before. Victor does not forget losses. He catalogs them. He does not forgive victories achieved over him. He avenges them.
If this gambit succeeds, it will not bring peace. At best, it will buy time. At worst, it will permanently alter who the Abbotts are willing to become. Ending a war with Victor Newman has never been about winning a single battle. It has always required endurance, restraint, and the refusal to become him.
As Jack hands Matt over, turning him into Victor’s prisoner, the question is no longer whether the war can end — but what it will cost. In Genoa City, peace is never free. And the price Jack Abbott is paying may be the very soul of the Abbott legacy.